Wednesday, 14 January 2015

COP3: Synthesis boards




Flynn and the Marvellous star is retelling of Cinderella, the key changes to it being the removal of seventeenth century aristocratic values, which I identified in my critical writing, and remove this bias, which is detrimental to the working class.

This is achieved by replacing the setting, characters and the end moral, in order to erase these values. But at the same time keeping the narrative and appropriating it to teach children that happiness doesn’t just come from being passive - waiting on Prince Charming’s - but from being an active individual.

Although the interactivity in the book is limited, it’s purpose is to further the story and for it to be more engaging for children. As my target audience is 3-5 year olds it allows them to act out the story with the book without having to read the words.

Yellow and purple were used, as they are colours associated with space, while at the same time they are gender neutral, both the boy and girl characters are the same to establish that colours are just colours, and not blue for boys and pink for girls at an earlier age.

The story of revolves around a gift from an uncle, given to Flynn and his siblings to share. However, they have other plans and want to keep it from Flynn. He finds them outside one night using it, and he spots a new star, however they do not see the bigger picture while looking into the telescope. Flynn gives him self away and they put him under the stairs while they attempt to claim the star for themselves. Flynn escapes and takes the reporter to see for her self, wanting the star for everyone to share.

The story uses rhymes to allow the story to flow easy and to entertain. Although it doesn’t overly make use of rhymes, its purpose is simply for engagement, getting children to want to hear the words again and repeat the moral of the story.

As well as that, the presentation of the writing had to flow well with the illustrations to allow for it to not be noticeably jarring. The use of waves allowed for the writing to follow through page after page while being unnoticeably separate from them. 

Each character was representative of the characters in the story of Cinderella, the siblings been the evil step sisters, Flynn being the ‘Cinderella’ character whose oppressed by her siblings. The reporter is reflective of Prince Charming, however it is through Flynn’s act of spotting the star, which brings the reporter and not an act of the reporter bringing Flynn. This is the critical difference.

For the characters in the story, the boys have rounded heads while the girls have pointed heads. The purpose of this was for easy identification, but at the same time without giving any symbolism in the process. For example: Blue for boys. Because the character designs are simple, it required that they are easily distinguishable like this. As well as the head shape, the hairline was also critical in playing its part with similar purposes.

Because how of the heads are designed, the rest of the bodies didn’t need any identification, which allows me to use the same bodies for everyone, only changing height and size to fit the character. This approach proved to be incredibly beneficial and flexible, allowing me to quickly put together varying character designs. As well as that, the characters didn’t hold any influence in regards to what boys should and shouldn’t wear, because everyone is equal.

As well as that, the aesthetic was also very flexible, using similar rules to how the characters are created, yellow for the base and purple for detail, it was easy to create props and other things out of it. For example: Archie the dog.


COP3: Photoshoot - Final images


The photos for the practical turned out really well, It really shows how much some bright lights can really make the bring out the best in your work. The paper, which I had bought for a previous project was a close match to the purple I had chosen for the characters, the paper really helped finish off the photos because they needed something other than white to go behind the book.

I wanted to really show off the interactivity as well, that's why I had hands present throughout the photos to really highlight that fact, and show the parts which are moveable, as well as present it as a night time story book.






















Monday, 12 January 2015

COP3: Making the book

I had the book's front cover printed on thick glossy, however the biggest problem with it is the fact that it bends quite a lot due to static. Which is fairly annoying, however It's not something I could have known before printing with it. 


The body of the book was printed on thin matte because this was what I had used before and It matched the same type of paper found commonly in children's books. So it seemed suitable to use it. James printed this using his laser printer so the quality of it isn't quite the same as the cover of the book however it's to a quality I am happy with. Plus it being so cheap allows me to print more than one I ever wanted too.





I was really happy with how well the book lines up when put together, It was something I had forgotten about when making it however when I was putting it together I realised just how accurate the printer's duplex setting James had used was.



Bending of the paper is particularly bad here - just to show the extent of which it does bend.


I had lost my circle cutter I had got recently just to cut out the circle on the page so I had to resort to cutting it out by hand, I believe I did a decent job of it however this could be improved by using the circle cutter for future reference. 


The one problem with the book I currently have, which can be seen here is, since I had to print the interactive portions of the book separately there is some colour differences, the most apparent is on the pull out night sky portion. - This is something I would definitely fix if I was to do it differently.








Sunday, 11 January 2015

COP3: Front Cover + Certificate

For some pages I had to stack the words to get them on properly, this way I didn't have to break the flow of the writing and confuse the reader. It seemed the best choice to go with.



Colouring the words didn't really seem to add anything to the message so I decided against it.


I made sure each curve lined up with one another because otherwise it was really obvious they were not properly aligned.


For the cover I took inspiration from the Mr.Men book from my research because It was the book with a look that seemed the most appropriate for the type of illustrations I had already created. The big block typeface is bit of a homage to that book. I wanted to curve it like the rest of the text in the book but it didn't really seem to fit as well as the body copy did. 





I really liked the image on the front I had created as them looking like a happy family, however I did want some variants. However what I had created within the book, most pages didn't really fit the cover. Just like the one below.


I choose to write my name out manually and put it on the book because It didn't really have much character with it just in some normal typeface which didn't really say much. I wanted my own personality on there too. Which is why it is present at the bottom of the book.

The title of 'and the marvellous' star was made so due to some feedback I had since 'and a new star' wasn't interesting enough. I agreed, and marvellous star seemed a much more fitting word, as well as more appropriate as other books were titled so.



I decided not to go with this certificate, or a pull out version of it due to it being a bit boring in comparison to the rest of the book so I extended the last page and spread it across onto the back as a single page.


The result of which is below, I though this was a better way to represent the moral of the story because It was a nice ending note instead of a very anti-climatic certificate which contrasts a bit too much with the rest of the book.